Nobel nights
These have been unusually good nights in London to hear great actors in the service of Nobel Literature Prize winners.
Tuesday: The Lover and The Collection, two plays at the Comedy Theatre by Harold Pinter from the 1960s, with Gina McKee and Charlie Cox shining in a stellar cast, and Pinter (Nobel 2005) reminding us of his youthful Rattigan-mode, when drawing-room wit set the foundations for every dark-room pause.
Wednesday: The Golden Notebook and The Grass is Singing, two books by Doris Lessing elegantly read in extract by Juliet Stevenson and Alan Rickman, the entertainment to mark the awarding of the Swedish Academy insignia itself, reminding the crowd at the Wallace Collection that Lessing too (Nobel 2007), is less severe than she sometimes seems to be.
As well as affectionate praise for two prized legends of our time, both now physically frailer than we or they would like, sexual incomprehension was a common theme.
Tuesday: the leather-dressed Ms McKee playing fantasy adultress under her suburban tea-table.
Wednesday: Ms Stevenson on the matter of penis sizes, as men and women differentially see them.
For readers of this who want their own Nobel thrill, the revelatory Pinter night, presented by Howard Panter for the Ambassador Theatre Group, will run and run - or at least for a limited run, as they say in the trade.
Sadly, the Lessing show, courtesy yesterday of HarperCollins and English Pen, was a one-night stand.










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